Golf How A Professional Golfer Thinks

For a professional golfer the bold attack is can work very well, tempered with reasonable good sense. He has the game that can beat the course, and he will beat it only if he attacks it.

A perfect example of a top pro attacking a course was Arnold Palmer on the first hole of the last round at Cherry Hills in 1960. Palmer started that last round seven shots behind the leader. He knew that only the boldest of play could close the gap. The first hole was a par 4, slightly downhill, measured 346 yards, and the green was closely guarded by traps, although there was a narrow opening.

Palmer let out the shaft, as the pros say, and drove the green. He got down in two putts for a birdie 3, was off to a fast start, and as it turned out, a victorious round. Palmer has the powerful game to beat any course. He kept attacking Cherry Hills, subdued it with a 65, and won the Open.

Before we go into the specifics of thinking, there are two things we can all do. We can learn both the rules and the etiquette of golf. The rules are many and they are sometimes peculiar, but the etiquette is simple. It is merely the application of the golden rule to golf: “Do unto others as you would have them do unto you.”

Most of the rules of golf are restrictive; they tell us what we cannot do. But many of them afford us relief, too, from particular situations. Be certain you know the rules on a lost ball, out of bounds, an unplayable lie. Learn the rules governing water hazards and lateral water hazards. Know what a hazard itself is and what you are permitted and not permitted to do when your ball is in one. Familiarize yourself with the rules on obstructions, and bear in mind always that you cannot “move, bend, or break anything fixed or growing” except in special circumstances.

 

Read, also, the rules on casual water, on obstructions deriving from course maintenance, and read the local rules printed on the score-card. Sometimes you find some surprises in the latter.

The rules and etiquette are issued annually in booklet form by the United States Golf Association, the best and wisest sports governing body in America. You owe it to yourself to have a copy.

Since we play this game with clubs, our first thinking should be about the weapons we use. And there is plenty of material for thought here. How heavy should they be, what should be their swing weight, how stiff should the shafts be, how many should we carry, and which ones should they be?

Weights of clubs seem to go in cycles. In the early 1930’s the tournament pros felt that with light clubs they could swing faster and thereby get more distance. The word spread about how the pros felt, the demand for light clubs increased, and the manufacturers of course obliged.

 

This lasted until somewhere in the 1940’s, when the pros decided that with heavier clubs they expended less physical effort; they would, in effect, let the club do the work. So heavier clubs came in. By 1960 the trend had begun to go the other way, toward slightly lighter sticks, not much but a little.

We prefer a club a little on the heavy side, for the reason that it doesn’t have to be swung so fast. It can, and will, do most of the work if it is given a chance. With such a club the player can concentrate more on swinging correctly, making the proper moves that will bring direction, and not concern himself with getting adequate distance.

Golf Benefits Of The Early Backward Brake

With the early backward break you do not get a bouncing effect at the top. From the time the hands are hip high only the arms, actuated by the shoulders, are moving the club. The club itself is not moving fast as it reaches the limit of the back swing, and there is a noticeable but not violent pull on the hands and wrists when it gets there.

Hence there is no rebound. The club starts down solely in response to the shoulder and hip action—and we are off to a late hit instead of an early one.

Since the late hit is the true manifestation of good timing, you have, right there, one reason the early backward break promotes good timing. The fact that there is no rebounding from the top, and no hurried effort then to get the club head to the ball, is also why this system makes it easier to establish a good, even rhythm.

But, you will say, the pros have no trouble with the late break and this rebounding of the club head. No, they don’t, because they subconsciously time their movements with it and also because they “tame” the club head by keeping a tight grip at the top. This grip is tight enough so that the club never gets away from them. But for the average player the timing is much more difficult.

The feeling that you have to move the body to get the club down to the ball, has its origin in the fact that for the last half of the backswing you are moving the club largely with your body and shoulders.

You are not moving it by breaking your wrists. So, since you have brought the club back with your body and shoulders, the natural thing to do is simply to leave them in command and start the downswing with them. This is exactly what should be done—the hips sliding laterally, and turning and rocking the shoulders to bring the club down.

The wrists leading at impact with no temptation to pronate or supinate are accounted for largely by the position the early break puts the hands and wrists into, aided by the fact that the body is swinging the club during a large segment of the downswing. With the perfect late hit, when the club catches up with the hands at the last possible moment, the hands will always be slightly in front at impact. The club has caught up enough to strike a straight, solid blow, but it doesn’t get exactly even with the hands until slightly after the ball is hit.

This will vary among the top pros, but pictures of many of them, taken at impact, show the left arm and the club in a curving line, not a straight line. Bill Casper and Wes Ellis are two examples.

The fact that a solid contact is produced on the centre of the club face is, really, the cumulative effect of many of the movements which have preceded it. Whenever the hit is late and from the inside the contact is much more likely to be accurate than if we hit too soon and/or from the outside.

 

Benefits Of The Early Backward Brake

With the early backward break you do not get a bouncing effect at the top. From the time the hands are hip high only the arms, actuated by the shoulders, are moving the club. The club itself is not moving fast as it reaches the limit of the back swing, and there is a noticeable but not violent pull on the hands and wrists when it gets there.

Hence there is no rebound. The club starts down solely in response to the shoulder and hip action—and we are off to a late hit instead of an early one.

Since the late hit is the true manifestation of good timing, you have, right there, one reason the early backward break promotes good timing. The fact that there is no rebounding from the top, and no hurried effort then to get the club head to the ball, is also why this system makes it easier to establish a good, even rhythm.

But, you will say, the pros have no trouble with the late break and this rebounding of the club head. No, they don’t, because they subconsciously time their movements with it and also because they “tame” the club head by keeping a tight grip at the top. This grip is tight enough so that the club never gets away from them. But for the average player the timing is much more difficult.

The feeling that you have to move the body to get the club down to the ball, has its origin in the fact that for the last half of the backswing you are moving the club largely with your body and shoulders.

You are not moving it by breaking your wrists. So, since you have brought the club back with your body and shoulders, the natural thing to do is simply to leave them in command and start the downswing with them. This is exactly what should be done—the hips sliding laterally, and turning and rocking the shoulders to bring the club down.

The wrists leading at impact with no temptation to pronate or supinate are accounted for largely by the position the early break puts the hands and wrists into, aided by the fact that the body is swinging the club during a large segment of the downswing. With the perfect late hit, when the club catches up with the hands at the last possible moment, the hands will always be slightly in front at impact. The club has caught up enough to strike a straight, solid blow, but it doesn’t get exactly even with the hands until slightly after the ball is hit.

This will vary among the top pros, but pictures of many of them, taken at impact, show the left arm and the club in a curving line, not a straight line. Bill Casper and Wes Ellis are two examples.

The fact that a solid contact is produced on the centre of the club face is, really, the cumulative effect of many of the movements which have preceded it. Whenever the hit is late and from the inside the contact is much more likely to be accurate than if we hit too soon and/or from the outside.